We, Will, Provide Here Martin Scorsese Contact Number, Martin Scorsese Whatsapp Number, Martin Scorsese Phone Number, Martin Scorsese Address, And More Information Related To Martin Scorsese. If you are availing of the contact number of Martin Scorsese then you might be a great fan of this Director or you are looking for seeking help from his charitable trust.
Do You Want To Contact Martin Scorsese, Do You Want Talk To Him, Do You Want To Invite him To The Event/Function? If Your Answer Is ‘Yes’ Then Read This Post Carefully Till The Last.
Martin Scorsese Bio Data :
Table of Contents
The original name Martin Marcantonio Luciano Scorsese (November 17, 1942, Queens, New York, U.S.) is an American director noted for his harsh, often violent representations of American culture in his movies. Scorsese’s work from the 1970s was daring, ambitious, and magnificent. However, even his most critically lauded films are difficult, frequently unpleasant, and commercially unsuccessful dramas.
Because of this, Scorsese has a reputation as a filmmaker who works with enormous budgets and is one of the most wanted actors in Hollywood. He may have been the most influential American director of the late 20th and early 21st century in terms of his artistic vision. On Manhattan’s Lower East Side, Scorsese was a little, asthmatic child who lived in the Little Italy neighborhood.
After unsuccessfully attempting to become a Roman Catholic priest, he returned to his first love of film and earned a bachelor’s and a master’s degree in film from New York University, where he later taught. There were inspirations from European classics to Hollywood musicals in his student films. These included shorts like What’s a Nice Girl Like You Doing in a Place like This? (1963) and It’s Not Just You, Murray! (1964).
Who’s That Knocking at My Door (1967), Scorsese’s debut feature-length film, was an intimate depiction of life on the streets of Little Italy. A streetwise but sensitive Italian American Catholic, Harvey Keitel (who would go on to appear in five more films with Scorsese in the 1970s and ’80s) portrayed Scorsese’s alter ego, who was haunted by the knowledge that his fiancée (Zina Bethune) had been raped.
Woodstock (1970) received an Academy Award for best documentary after Scorsese was hired as an assistant director and supervising editor on the film’s more than 100 hours of raw material from the 1969 rock concert, transforming it into a three-hour feature. “Mean Street,” “Taxi Driver,” and “New York, New York” were all popular 1970s movies
Career
It was Scorsese’s editing work on the concert films Medicine Ball Caravan and Elvis on Tour that made him one of the most influential editors of his generation (1972). To direct Boxcar Bertha, producer Roger Corman approached him (1972). A dramatic, but ultimately empty story about train thieves (Barbara Hershey and David Carradine) in the Depression-era South by Scorsese was the best use of his opportunity.
Mean Streets (1973), Scorsese’s boundary-breaking reinterpretation of the themes explored in Who’s That Knocking at My Door, was far more significant. A typical example of his early work, the film has a slew of violent moments, rapid-fire dialogues, and screaming rock music.
For his role in Little Italy, Keitel was haunted by guilt over his affair with epileptic girlfriend Teresa (Amy Robinson) and upset by his failure to handle Johnny Boy (Teresa’s brother), the dangerously insane buddy of Teresa (Robert De Niro, who did eight films with Scorsese between 1973 and 1995). For this low-budget masterwork, the poignant, often funny performances of Keitel and De Niro were as important as Scorsese’s evocative locations, brutally explicit language, and explosive violence as well as his spectacular camera technique.
While working on Italianamerican (1974), Scorsese produced Alice Doesn’t Live Here Anymore (1974), a gentler studio feature that lacked the pyrotechnic innovation of Mean Streets. As a result of the death of her abusive husband, Alice (Ellen Burstyn) leaves Fresh Mexico for California with her adolescent son in order to start a new life for herself and her family (Alfred Lutter).
This helped convince the Hollywood establishment that Scorsese could control his renegade talent thanks to Burstyn’s Oscar for Best Actress. With Taxi Driver (1976), director Martin Scorsese startled moviegoers by showing that he was capable of making a conventional film. One of Bernard Herrmann’s final films and scripted by Paul Schrader, this haunting film is as interesting as it is harrowing in equal measure.
Travis Bickle was played by Robert De Niro in what is often considered to be his best performance, while Sport, a pimp who keeps 12-year-old Iris (Jodie Foster) in his thrall, was played by Michael Keitel. De Niro, Foster, and Herrmann all received Oscar nods for Taxi Driver, making it one of the most contentious and unsettling Oscar nominees to history. The Palme d’Or at the Cannes film festival was given to the picture because of a short but powerful cameo by Scorsese as a murderously jealous husband.
One of Scorsese’s most highly regarded works. New York, New York (1977), a remake of the 1950s Hollywood musical, distinguished by non-naturalistic lighting and lavish scenery, relegated Scorsese to the status of Hollywood’s new enfant terrible. De Niro starred as Jimmy Doyle, a saxophonist who works in a big band with Francine Evans, a gifted vocalist.
The film was deliberately styled to resemble previous film triumphs by Vincente Minnelli and George Cukor (Liza Minnelli). Jimmy, a vain, self-destructive jerk, slips away from Francine’s pregnant belly as their tumultuous love affair seems insurmountable. Even in an unfavorable role, De Niro held the audience’s attention, and Liza Minnelli’s portrayal of her mother (Judy Garland) was terrifying.
Despite the diverse reviews from critics, the film was a financial failure. Because of its apparent fondness for the golden age of Hollywood, the film gained a cult following. On to American Boy: A Profile of Steven Prince (1978), a documentary on the life of Steven Prince, a friend of Martin Scorsese who was a road manager for the musician Neil Diamond and also a heroin user.
| Martin Scorsese Contact Address, Phone Number, Email ID, Website | |
|---|---|
| Email Address | NA |
| https://www.facebook.com/scorsese | |
| Fanmail Address (residence address) | Martin Scorsese The Film Foundation, Inc. 7920 W Sunset Blvd. 6th Floor Los Angeles, CA 90046-3334 USA |
| Instagram Handle | https://www.instagram.com/martinscorsese_/ |
| Phone Number | (323) 436-5060 |
| Snapchat Id | NA |
| Spotify | NA |
| Texting Number | NA |
| https://twitter.com/scorsesemartin | |
| Whatsapp No. | NA |
How to get Martin Scorsese Contact Information:
Martin Scorsese Facebook Fan Page: https://www.facebook.com/scorsese
Martin Scorsese Instagram Profile: https://www.instagram.com/martinscorsese_/
Martin Scorsese Twitter Handle: https://twitter.com/scorsesemartin
Martin Scorsese YouTube Channel: NA
Martin Scorsese Official Website: NA
Martin Scorsese Contact Details:
Martin Scorsese WhatsApp Contact Details: NA
Martin Scorsese Address:
The Film Foundation, Inc.
7920 W Sunset Blvd.
6th Floor
Los Angeles, CA 90046-3334
USA
Martin Scorsese Phone Number: (323) 436-5060
Martin Scorsese Office address: NA
Martin Scorsese Office Email Id: NA
Read Also: Michael Bay Phone Number, Contact Details, Whatsapp Number, Office Address, Email Id