Cameron Mackintosh Phone Number, Contact Details, Whatsapp Number, Office Address, Email Id

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Cameron Mackintosh Bio Data:

Cameron Anthony Mackintosh was born on October 17, 1946, in London, and is one of the most influential musical theatre producers in the world, having created such hits as Les Miserable, The Phantom of the Opera, Miss Saigon, Cats, and Hamilton. More than 45 years have passed since Cameron Mackintosh first became involved in the production of theatre musicals. Mackintosh was ranked fourth on The Independent on Sunday’s Pink Ranking in 2006, which was a list of the most influential out-and-proud gay men and women in the United Kingdom. In 2005, he was ranked fourth on the list. Mackintosh also finished first on The Stage 100 list in 2007, the first time this has happened since 2000.

At the end of each year, the list recognizes the most influential people of the performing arts community. Cats, The Phantom of the Opera, and Les Miserable are among the world’s longest-running musicals, and he is responsible for the production of all three of them. At the moment, Cameron is hard at work on film adaptations of the musicals ‘My Fair Lady’ and ‘Les Miserable. Cameron is the owner of seven famous theatres in London’s West End, including the Novello, Prince Edward, Noel Coward, Queen’s, Gielgud, Prince of Wales, and Wyndham’s. Cameron is also the owner of the Royal Shakespeare Company.

In addition, he is a co-owner of Music Theatrical International, which is the largest theatre library in the world. His attempt to recall all of the musicals he had on the road in various areas of the world two years ago had been for the benefit of an awestruck journalist. As Yul Brynner used to say, “and so on and so forth.” They included six Cats, twenty Phantom of the Opera, twelve Les Miserable, seven Miss Saigon, four Five Guys Named Moe, two Follies, and a whole lot more.

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Mackintosh was knighted in the New Year’s Honours list of 1996 for services to musical theatre and the arts in general. Michael Le Poer Trench, a theatre photographer who was born in Australia, is his partner. He continued his education at Prior Park College in Bath, where he received the same Roman Catholic upbringing as his mother. When he was eight years old, he attended a matinee performance of Salad Days, a Julian Slade musical. Since then, he has taken the decision to pursue a career in theatre production.  The following several years saw Mackintosh mount successful revivals of Oliver!, My Fair Lady, and Oklahoma!, before meeting Andrew Lloyd Webber and collaborating on Cats, which premiered in 1981.

Because of the play, both men’s lives were revolutionized, and it served as a model for future productions that overthrown traditional musical theatre and created an engaging, uncomplicated, and vivid theatrical experience that did not rely on big name actors and was easily replicable around the world. In the 1980s, Mackintosh’s career took off with hits like Song And Dance, Les Miserable, The Phantom Of The Opera, and Miss Saigon, among other productions (1989). It was the latter show that demonstrated just how powerful Mackintosh had grown when American Equity protested to the casting of Jonathan Pryce in the Broadway production ‘because it would be an affront to the Asian community’ in 1990, demonstrating just how powerful Mackintosh had become.

In addition to numerous donations to small theatrical projects, he provided £2 million to endow Oxford University’s first professorship in drama and musical theatre, and his gift of £1 million to the Royal National Theatre enabled it to stage critically acclaimed revivals of Carousel and Sweeney Todd, the first two in a series of five classic musicals to be produced by the Royal National Theatre. In addition to the charitable aspect, Mackintosh is said to have retained ownership of the productions when they are eventually performed in the commercial sector.

Cameron Mackintosh Career

Following a threat by the producer to cancel the entire event – as well as one or two others – the show was more or less immediately cancelled. As a result of the incident, the producer’s ruthless (he uses the term unwavering) image among the New York theatre community, which is largely opposed to his “flashy” marketing practices as well as his authoritarian attitude, did not improve. Five Guys Named Moe, his smash hit in London, did not transfer to Broadway for some reason, and it is possible that this was one of the factors contributing to the show’s underwhelming performance. A rare flip involving Mackintosh occurred in 1992, which some believe signaled the beginning of his downward spiral.

During its 15-week run, Moby Dick a.k.a. ‘a damp squib… rubbish is said to have lost him £1 million and a great deal of pride, and he intimated at the time that he might have reached the end of his career. In spite of this, the exceedingly spectacular financial facts continued to emerge: a personal salary of over £8 million in 1991, making him the 39th richest man in the United Kingdom, and the acquisition of a significant stake in two West End theatres, the Prince of Wales and the Prince Edward. Mackintosh’s passion for musicals – which appears to be all he is interested in producing – has prompted him to donate a portion of his alleged £300 million fortune to a variety of really worthy organizations.

Many awards have been bestowed upon him, including the 1991 Observer Award for Outstanding Achievement and the coveted Richard Rodgers Award for Excellence in Musical Theatre (1992). Harold Prince, Julie Andrews, and Mary Martin have all received this honour in the past. In 1994, Mackintosh’s huge revival of Oliver!, starring Jonathan Pryce, premiered at the London Palladium, and in 1995, his production firm, Cameron Mackintosh Limited, was awarded the Queen’s Award for Export Achievement for its work in the United Kingdom.

Cameron Mackintosh Contact Address, Phone Number, Email ID, Website
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Fanmail Address (residence address)London Borough of Enfield, United Kingdom
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Cameron Mackintosh Address: London Borough of Enfield, United Kingdom

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