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Beatrice Laus, better known by her stage name Beabadoobee (/bibdubi/; styled with all lowercase letters), is a singer and composer who was born in the Philippines but currently resides in the United Kingdom. She self-published four extended plays between 2018 and 2019, including Lice (2018), Patched Up (2018), Love worm (2019), and Space Cadet. These extended plays were issued through the independent label Dirty Hit (2019). Fake It Flowers, which was her first studio album, was released in October of 2020 and received positive reviews. Beabadoobee is a singer and songwriter who combines beautifully whispered confessions with guitars that pack a wallop and are inspired by the 1990s. Her intimate, lo-fi sound reflected her love of indie songwriters such as Elliott Smith and Kimya Dawson and fit in perfectly with bedroom pop contemporaries such as Clairo when she first emerged in 2017 with “Coffee,” which was the first song she ever wrote.
“Coffee” was also the first song she ever performed. By the year 2019, she had, however, broken beyond from the restrictions of the bedroom with releases such as 2019’s Space Cadet EP, a tribute to the musical styles of Sonic Youth and Pavement that featured the single “I Wanna Be Stephen Malkmus.” Beabadoobee added more polish and ambition to her style on both her debut album, Fake It Flowers, which was released in 2020, and her Our Extended Play EP, which was released the following year. Despite turning up the volume, Beabadoobee maintained the music’s frank yet vulnerable viewpoint throughout both releases. The popularity of “Coffee” on digital platforms caught the interest of the Dirty Hit record label in London, which ultimately led to the signing of Beabadoobee in the beginning of 2018.
She released a pair of extended plays on the label during that year: March’s Lice and December’s Patched Up. Both of these EPs expanded on her viral single’s gently candid style, and both were titled Lice and Patched Up. However, she desired for her music to have a larger sound, so she went out and found a bassist named Eliana Sewell, a drummer named Louis Selman-Faith, and a guitarist named Jacob Bugden to help her achieve this. In April of 2019, Beabadoobee released the Love worm EP, which introduced a heavier grunge- and shoegaze-inspired attack to her melodies; an acoustic version of “Love worm (Bedroom Sessions)” appeared in July of that same year. The EP was produced by Pete Robertson, who had previously worked as the drummer for the Vaccines.
When she was a child, she studied the violin for several years and listened to music from the Philippines as well as popular songs from the 1990s, such as those by the Cranberries, Liz Phair, and Natalie Imbroglio, which were her mother’s favourites. She had the sense that she did not belong when she was a teenager. She was the only Filipino student at an all-girl Catholic school (where she was first exposed to the music of Kimya Dawson, a significant influence on her sound), and she struggled with depression. Kimya Dawson’s music was an important impact on her style. When she was 17, her father surprised her by giving her a used guitar, and she began playing it as a way to express her inner turmoil. She taught herself to play using online tutorials and took the stage name Beabadoobee from an old social media account. She developed a delicate and intimate style that was influenced by the music of Dawson as well as Alex G, Florist, and Karen O.
She taught herself to play using online tutorials. In September of 2017, Beabadoobee went to the bedroom of a friend and recorded the first song she ever penned, which was titled “Coffee.” She then posted it online. The song quickly racked up hundreds of thousands of views despite the fact that her intention was to just share it with her close circle of friends. That October’s Space Cadet EP was an even more audacious homage to the alternative rock and indie music of the 1990s, and it once again featured production by Robertson. Beabadoobee brought the year to a conclusion by releasing a cover of Simple Minds’ song “Don’t You Forget About Me,” as well as receiving nominations for the Rising Star Award at the 2020 Brit Awards and the Sound of 2020 critics’ poll hosted by the BBC.
The success of Beabadoobee carried over into the year 2020. The Canadian rapper Powfu’s record “Death Bed (Coffee for Your Head),” which sampled “Coffee,” became a viral smash with billions of plays after it was featured in a social media meme. Powfu also went on tour in February to support his labelmate the 1975. The song reached number five on the charts in a number of countries and was certified gold or platinum in a number of additional countries, including the United Kingdom and the United States. In October of the same year, Beabadoobee issued her first studio album, titled Fake It Flowers. It expanded on the alternative rock-meets-pop vibe of Space Cadet and was produced and engineered by Joseph Rodgers. Robertson was the album’s executive producer.
She made her comeback with the release of the Our Extended Play EP in May of 2021. Beabadoobee, Matty Healy of the 1975, and George Daniel of the 1975 collaborated with Beabadoobee on the writing and production of the EP, which features the COVID-19 pandemic-inspired tune “Last Day on Earth.” In March of 2022, she released the lead track from her sophomore album titled “Talk.” Beatopia was released. “It’s unusual that musicians can really live in their album because they immediately go on tour,” she says. “It’s uncommon that artists can actually live in their record.” “That was going to happen with Fake It Flowers, but then I had all this time off to be genuinely appreciative for everything that’s happened,” she explained. Beabadoobee debut studio album, titled Fake it Flowers, was published in October of 2020, following the success of multiple hit singles, including “Coffee,” which achieved full-blown viral status on TikTok.
(As of right now, she has over 200,000 people following her on the platform.) Anyone who listens to the album will immediately notice the ’90s influence, which can be described as a sound that falls somewhere between bubblegum pop and garage band sounds from that decade. Beabadoobee, who was born in the year 2000, experienced the genre through her own musical education; one that was rooted in recordings by Alanis Morissette, The Cranberries, and The Smashing Pumpkins. It is an aesthetic that would seem nostalgic to some people, but she encountered the genre through her own musical education. She does a fantastic job at recreating the style, and if you only give her music video for the track “Care” a cursory look, you might be fooled into believing it’s an old film.
Beabadoobee has been keeping herself busy by dancing (which she describes as “the only kind of exercise I do”), writing in her journal, and viewing movies, not just for the tales, but also for the songs. The album’s tour dates have, of course, been postponed. She raves, “My all-time favourite soundtracks are Good Will Hunting, which was composed by Elliott Smith, and But I’m a Cheerleader, which had fantastic music performed by female artists.” In addition to that, she has been creating art and adorning the walls of her bedroom with watercolor paintings and movie posters that she has obtained on the internet. She believes that it was enjoyable to have the opportunity to “just sit in my room, chill out, and, you know, casually write—not write for anything specific just yet.” Beabadoobee accomplishes precisely that for us, just in time for the release of her newest single. You may see an example of one of the things that she has been working on recently up there.
|Fanmail Address (residence address)||Iloilo City, Philippines|
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